Friend or Foe?

Mixed media installation with audio.

Scientific Arts: How the Brain Perceives the World through Creative Practice, Galway University Gallery.

This artwork is based on neuroception, a neural process, capable of distinguishing environmental and visceral features that are safe, dangerous, or life-threatening.

Scanning facial expressions for cues of a basic level of safety or danger, and perceived emotions.

It has been found that when a person suffers a trauma the brain's ability to evaluate their environment has been impaired. The perception of threat can be constant with the possibility that the body is stuck in survival mode. Both our neuroception and interoception, sensing the signals from within our bodies can sometimes work against us.

As the brain regulates all the major systems of the body, they then can become overwhelmed when faced with ongoing threat or even the perception of threat. So, one's survival mechanism begins to work against them, releasing cortisol, which some refer to as the stress hormone, hampering these systems.

For the organism to thrive, one’s environment must be safe. “As long as the mind is defending itself against invisible assaults our closet bonds are threatened, along with our ability to imagine, plan, play, learn & pay attention to other people's needs.” (1)

We self-regulate to achieve homoeostasis, the condition of optimal functioning for the body. Controlled breathing is considered a bottom-up regulation of the nervous system.

The combined elements are a comment on how the inner workings of the mind and body ultimately affect one’s ability to function in the world.

1 Bessel Van Der Kolk, The Body Keeps the Score 2015

Upcoming exhibition as part of the

Contemporary Collage Festival

Linenhall Arts Centre, Castlebar, Co. Mayo. Ireland.

F23AN24

June 8 - Sept 28 2024

An exhibition of 30+ artists practicing nationwide,

of which I am delighted to be included

@linenhall_arts

@connachtcollagecollective

Kate Hodmon is a multi-disciplinary artist originally from Co. Wexford, now based in Galway, Ireland. She holds a degree in Illustration from The University of Hertfordshire. Hodmon was a Limerick Figure Drawing Society member, organiser of the 2012 Galway Fringe Festival visual arts exhibition in Mary’s Dominican Church Hall in the Claddagh, and a founding member of Lumen Street Theatre, Limerick City in 2015. With a background in street spectacle, theatre, and film production, her practice extends beyond the realms of traditional artistic expression.

I use various materials, found objects, fabric, and paper, selected for their perishable properties and ability to endure. I create layers and degrees of translucency to evoke elusive memories or emotions that hijack us from undisclosed places. My research is informed by the Jungian concept of the shadow self which refers to the parts of us set aside to unconsciously conform and the psychological ‘void’ and disconnect that this conforming can leave in our adult selves.